. Not everythingbut most. I think of co-agenting as an opportunity to have double the client list with only half of the responsibility. Narrative Nonfiction D. Cohen Although of course it would be totally fine for them to communicate if it would benefit the development of the proposal! One size does not fit all. While were waiting on the agents response, can I ask you why you want an agent? Catbird Press is no longer publishing. She currently has around 45 clients with little room for more, as she thinks 50 clients is the ideal number. I also ask six well-respected agents to share their thoughts by answering three questions. Co-agenting is Ericas and my way of trying to be as proactive as we can for our clients. Sure you can. Ive learned how important it is to review our individual clients wants and needs before offers start to come in. Childrens/YA L. Moe, What Is a Literary Agent? They understand the nuances of contractsforeign rights, royalty escalation clauses, merchandising (how much would you charge for ringtones? For more specifics on what Susan is looking for, including information about genres and categories, please see here and here. Some of her favorite non-client books in this category are: A Heart in a Body in the World by Deb Caletti, Pie in the Sky by Remy Lai, Brown Girl Dreaming by Jacqueline Woodson, The Poet X by Elizabeth Acevedo, Chime by Franny Billingsley, Swing by Kwame Alexander, The Evolution of Calpurnia Tate by Jacqueline Kelly, Still Life With Tornado by A.S.King, The Truth as Told by Mason Buttle by Leslie Connor, When You Reach Me by Rebecca Stead. Kirsten Hall, Catbird Agency Picture books pretty much have me wrapped around their finger. When was the last time you checked out Publishers Weeklys Rights Report? While we have different client lists, Ericas and my intentions for the books we represent are largely the same, as is our aesthetic. There is a lot of uncertainty that comes along with developing a co-agented pitch from just the seed of an idea. an enviable position; having the upper hand or greater advantage Enter your information in the form to the right for FREE INSTANT ACCESS to the Directory of Literary Agents. Erica:In some cases yes and in some cases no. Ive co-agented all kinds of dealsones that have gone to multi-house auctions on day one, one in which only one client saw an offer and the other client gracefully stepped aside, one in which wildly different offers came in and my co-agent and I needed to negotiate with each other as much as the publishers because our clients positions were so different. Flannery Literary (Agent) (Submissions), Foundry Literary + Media (Agents & Submissions), Full Circle Literary (Agents) (Submissions), Gallt & Zacker Literary Agency (Agents) (Submissions), Golden Wheat Literary (Agents)(Submissions), Greenhouse Literary Agency (Agents) (Submissions), Howard Morhaim Literary Agency (Agents) (Submissions). Copyright 2011-23 The Bestselling Author, LLC. What I know when co-agenting with Erica is that no matter what happens well always be good. Its brilliant I mean, really, its fantastic. and strategic process), so its not something we do all the time. We spend a good amount of time bouncing ideas off of each other and sharing good and bad news. Catbird Creative Agency | LinkedIn If an agent is interested in representing you, under no circumstances should you simply say, Great! Levy Creative Management (Artist Submissions), Liza Royce Agency (Agents) (Submissions). What percentage of art directors go to agents first to find illustrators? Nonfiction/Environment J. Biemer The irony is that by doing it yourself, by finding some amount of success on your own, you become more attractive to . When Should You Get An Agent? A graduate of Simon Fraser University's Master of Publishing program and a twenty-five year veteran of Canadian publishing, Ron worked with Penguin Canada, Westwood Creative Artists, and Random House of Canada before joining CookeMcDermid in 2009. Get FREE Access Now to All Catbird ProductionsProfiles! Memoir/Multicultural N. Aronheim Follow your instincts. Ive worked as a publicist, as an editor, and now as an agent and author. A few books I loved reading in my free time . But Im really thrilled to be co-agenting with Erica. You can ask her a question here. NOTE: Each year Fuse Literary, as an agency, is closed to new submissions and queries between December 1st to January 15th. Kirsten Hall | Official Publisher Page | Simon & Schuster She started her career at Liza Dawson Associates in Manhattan, and in 2014 launched her own literary agency, Olswanger Literary LLC, where she represents a wide variety of genres, but is currently focused on illustrated books (picture books and graphic novels). Submit a QUERY and TWENTY PAGES of your manuscript to one of the agents listed below. I think authors and illustrators sometimes forget that agents, too, face disappointment. Congratulations! Thank you for submitting your work! Kirsten is also an author. Theyre reading. Book Agent Submissions A word of warning: There is such a thing as a bad agent. PW site license members have access to PWs subscriber-only website content. How to Submit Yourself to an Agency (According to an Agent) - Backstage And then submit your picture book query letter and manuscript. We will email you our periodic newsletter, never more than once a month. How to Find a Literary Agent for Your BookAdvice from writing professional Jane Friedman. Sometimes those opportunities come in fast and sometimes they dont. They agreed almost immediately. Memoir/Family/Identity S. Foti So how will you know the bad from the good? According to Publishers Marketplace, for the past several years Kirsten has been an industryleader in picture booksales. Editors should be salivating by the time they get to the chapter outline. Working with Mark was completely worth it." Please submit to SUBMISSIONS@CATAGENCYINC.COM & let us know who you are submitting to in the subject line! Narrative Nonfiction D. Cohen Nonfiction/Environment J. Biemer What is one misconception about agents?That were glamorous, haughty gatekeepers! 6. Many of us are friends. . Although of course it would be totally fine for them to communicate if it would benefit the development of the proposal! We also use third-party cookies that help us analyze and understand how you use this website. We would like to show you a description here but the site won't allow us. All agents should share the ability to reasonably negotiate contracts. NOTE: As an agency we are closed to new queries and submissions each December 1st to January 15th! Childrens/Chapter Book J. Agee Co-agenting is Ericas and my way of trying to be as proactive as we can for our clients. Your work has been submitted! Nonfiction/Business D. Hamme Kirsten Hall Literary Agent - Catbird Productions Catbird Lit | Duotrope 2 talking about this. Tools to help you stay organized and error free. Erica:Were different in that Kirsten does a lot more co-agenting than I do. Agents are people, too. Madeleine Milburn Literary, TV & Film Agency (Agents & Submissions)NOTE: This is aUKagency. Other times, well sell texts to publishers first and then when it comes time for illustrators, if there isnt someone on our list who we think is right to recommend, our next step will be to look at each others lists, or those of other agent friends. Having Mark on your side is incredibly valuable." The Cat Agency Inc. (Agents) (Submissions) Open to illustrator & author-illustrator submissions. In some cases yes and in some cases no. "Actor seeking representation" is a bore. Scroll below to see a sample. When I offer representation, ideally Id like to be in it for the long haulwhich means I want to really know who Im signing up to work with: Do they have other work thats equally enticing? Youre the playerone of many players on his or her team. Before you submit: Read their guidelines. SCBWI | Co-Agenting with Kirsten Hall and Erica Rand Silverman Fuse Literary never charges reading or submission fees, nor is there a retainer fee for our services. If you need contractual help, you can find an attorney who would only charge a one-time fee. Ideally, you handle the creative end, and your agent handles the business end. Can you terminate the contract if things go south? On the reverse, sometimes our authors are looking for new inspiration and an illustration can be a great way to get those wheels turning. I choose to work with an agent because I value that relationship and I know its helped me to create my best work. The subject heading in your email should be simple but enticing. Snail-Mail: Closed E-Mail: Closed Online Form: Closed Learn more about this agent, including: Genres of Interest Typical Response Times Best Query Methods Become a QueryTracker Member (Free) They say theyre not good at that stuff. You still need to be good at that stuffor at least have an informed understanding of it. In this post, you and I will go through the steps of a submission, from researching agencies to signing on the dotted linewhile having a bit of a heart-to-heart along the way. We usually begin by keeping the artist and author separate from one another as publishers do. I love my fellow kidlit agents, and I honestly believe we root for each other and celebrate each others successes. The story taps into important truths about love and loss and life. Shes one of my favorite people in the entire industry. We also use third-party cookies that help us analyze and understand how you use this website. Lemonade Illustration Agency (Artist Submissions) UK agency for illustrators of childrens books & other media. And I can already see that the books were making together are going to be magical. We were thinking of matching up Susan Verde and Jay Fleck for our own pitch and then Susans editor, on her own accord, ended up approaching Jay to illustrate Susans new series. (Maybe: Is publishing dead or not? Its not dead, but I digress.). Other times, well sell texts to publishers first and then when it comes time for illustrators, if there isnt someone on our list who we think is right to recommend, our next step will be to look at each others lists, or those of other agent friends. Kayla is also open to representing illustrators. It is my belief that it comes from the onboarding process. The project may work. In this way we made a really exciting match for a to-be-announced Jory John and K-Fai Steele project. Picture books (as a format) seem simple at first blush, but they are often in fact quite layered and even poetic, displaying an elegant interplay between text and art . Memoir/Family/Identity S. Foti Childrens/YA C. Plum-Ucci But, when it feels right and exciting on our end, we hope that it will be received that way by the publishers. Thats exactly right. PW KidsCast: A Conversation with Dan Santat, click here to reactivate your immediate access. Shes one of my favorite people in the entire industry. Erica is a tireless advocate for her clients and proud to be a part of an industry that is so thoughtfully shaping young minds. Agents arent just sitting by the phone, hoping to get your submission. Only considers picture books from established illustrators. No agency can guarantee that a particular project will sell, but we sign clients because we love their writing and want them to succeed. It was a natural progression for those conversations to lead to ways our clients could work together. News and updates to get a top literary agent, publisher, and book deal. Ive heard illustrators say they want an agent so they dont have to deal with marketing and contracts and the non-drawing-and-painting aspects of illustration. Her client list at Bright includes Elly Mackay, Benji Davis, Clive McFarland, and Connah Brecon. Some favorite titles that provide a sense of her tastes: Picture book: Penguin and Pinecone by Salina Yoon; Creepy Carrots by Aaron Reynolds and Peter Brown; I Dont Want to be a Frog by Dev Petty; Bad Dog by Mike Boldt, Middle grade: Merci Suarez Changes Gears by Meg Medina; The Year the Swallows Came Early by Katherine Fitzmaurice; Amal Unbound by Aisha Saeed; The Book Thief by Markus Zusak, Young adult: The Sea is Salt and So Am I by Cassandra Hartt; Dumplin by Julie Murphy; The Cost of All Things by Maggie Lehrman; To All the Boys Ive Loved Before by Jenny Han; The Girl in the Blue Coat by Monica Hesse. Get An Agent After Self-Publishing Agents have a broader knowledge due to their experience, and it allows the creative lines between authors and illustrators and their editors/houses to be cleaner. Necessary cookies are absolutely essential for the website to function properly. Read their interviews. Prentis Literary (Childrens Fiction) (Agents) (Submissions) In childrens fiction, they primarily accept early readers and chapter books, and perhaps the very rare, exceptional picture book. QueryTracker includes resources for all writing genres (not just picture books). Lets be real, Im always looking for an excuse to hop on the phone or grab lunch with Ericaso working together gives me the perfect excuse! Never miss a moment of Fuse Literarys deals and bonus content. Fiction/Mainstream K. Cox you guessed it: agents. Do your clients have more contact with one another than they would if this were set up by a publisher? Sign up for our Children's Bookshelf newsletter! Kirsten HallLiterary Agent is on our list of Publishing Agents USA (book agents in the United States), Fiction Publishing Agents (book agents who represent fiction authors), Childrens Publishing Agents (book agents who represent books for younger readers), Young Adult Publishing Agents (book agents who represent YA books for teens),Middle Grade Publishing Agents (book agents who represent books for middle grade tween readers), and Picture Book Publishing Agents (book agents who represent picture books for kids). Any agents not listed above are CLOSED to submissions. [Click here to see all Mark Malatesta reviews], Fiction/General J. Jago How Long to Get An Agent? But agents help your creative growth in more ways than the obvious. Lets tap into that knowledge. Publishers really enjoy being in control when it comes to matching a text to an illustrator (its an extremely fun (!) I read it and I cried. Visit their websites, where they explain who they are and what they want. Who reps them? By the end of this post, you may finally have the answer to: Do I need an agent?. Cherry Weiner Literary Agent - Cherry Weiner Literary Agency Read their bios to determine which picture book literary agencies and agents might be the best fit. She has incredible vision and is very brave. Catbird Agency Website: catbirdagency.com/ Twitter: HallWaysKirsten AAR/AALA Member: No Accepts Queries Via. If your submission is received by our system, an automated response will be emailed to you. An agent once said to me, If you think having an agent doesnt give you a distinct advantage, youre crazy. It depends on the agent and the artist, but I tend to agree with her. When Stephanie first contacted me, she was very excited and said, I cant get your book proposal out of my head. I signed with Don Fehr at Trident Media and a short time later I had a publishing contract! Get updates about Kirsten Hall and recommended reads from Simon & Schuster. She is just as happy working with debut talents as she is best-sellers. Postcards, social media, industry events, bespoke product platforms, blogs, galleries, magazines, and store visits are all tools in a rapidly growing toolbox. Theres already much greater access to the publishing house in the illustration world (versus for writers, who often are barred by company policy from submitting their work directly). Why do I (acting as an author or illustrator) need an agent?Agents wear many important hats. Theyre meeting. Open to illustrator & author-illustrator submissions. Someone asked me once, Do you only hire artists who have agents?Not in the slightest. But they are out there. How do you work with your clients individually on something like this? * AAR membership status She will happily review your comics, book cover designs, and picture book dummies.Aliza believes in a world where all young people can see themselves reflected in childrens books. Each agent lists what they want on their bio page. Scroll below now to view the email and postal addressfor Kirsten HallFREE in our BookAgents Directory. With the amount of information available to us through articles, workshops, podcasts, and the like, it takes just a bit of elbow grease to figure things out. of Speculation by Jenny Offill, Kitchens of the Great Midwest by J.Ryan Stradal, and Station Eleven by Emily St. John Mandel. What is one misconception about agents? I still remember the first time I read Jessixa Bagleys dummy submission. We promise not to share your information with third parties, and we do not spam. It might seem strange in another industry to see such interagency fellowship,but it feels right for those whove made a career in making books for kids. Feeling hurt inflates our ego, which clouds self-awareness, which stunts creative improvement. Unfortunately, due to the overwhelming number of submissions received, personal responses are only very rarely possible. Either way, I hope this post helps you move forward with your career. Feel free to share your thoughts and questions in the comments section below. But I dont generally find myself doing much differently with regards to my clients when co-agenting other than have hard conversations on their behalf with my my co-agent up front. May 2010 - Feb 20143 years 10 months. Ask the Agent Informative site ofJennifer Laughran, senior agent at the Andrea Brown Literary Agency, who represents authors and illustrators of childrens and YA books. "Mark helped me get five different offers for representation from top literary agents. A coin is flipped on its head.

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